Archive for the 'design' Category

"Course description: Beginning with the history and underlying ideas of branding and identity design, this course will examine the development of classic identities as well as seminal identity designers and design studios. We will also review contemporary cases that highlight the challenges of brand and identity creation in specific sectors including fast-moving consumer goods, durable goods, services, organizations, places, and ideas. At the same time, we will examine both critical viewpoints around the practice of identity design and speculate on the future of brands and branded environments."

"Every month, we will make one volume (a year’s worth of pub lic a tions) avail able through the Fonts.com blog. There are, how ever, a couple of caveats. First, the files are big – as in “way big.” The low-resolution files can be as big as 18 MB and the high-resolution files are down right huge at over 85 MB in some cases. Second, they are not per fect. The ori ginal doc u ments were some times faded, cracked or torn. That com bined with a semi-automated scan ning pro cess (over 9,000 pages scaned) res ul ted in some unavoid able “char ac ter” traits. The final caveat is that the above plan could change depend ing on audi ence interest level (or lack thereof). So, if you love it, let us know."

"Vaughan Oliver is one of the great (music) designers. His work is highly original and often breathtakingly beautiful. Probably best known for his work for The Pixies and Cocteau Twins on the 4AD label, Oliver’s designs for Scott Walker, His Name Is Alive, Heidi Berry and many other lesser known names is just as remarkable. For someone who claims to have been uninspired by typography at college, his use of type is a joy. In its gestural expressiveness it focuses and enlivens each design with tremendous inventiveness. Oliver’s work often foregrounds dark images produced by photographers who are essential collaborators in the creative process (key names include Simon Larbalestier, Nigel Grierson and Marc Atkins). Also central to his process is a willingness to experiment and a deep engagement with the music. The result is work that is passionate, elegant and highly influential."

"With an advertising world keen to use every inch of a medium for brand or product experience, it is becoming increasingly popular to design websites with full-browser backgrounds. Using CSS, this can be achieved quite easily. Just drop a huge background image in a page with one line of code"

text-rendering css property that seems to mostly work just in safari.

"A skeuomorph or skeuomorphism (Greek: skeuos—vessel or tool, morphe—shape)[1] is a derivative object which retains ornamental design cues to a structure that was necessary in the original." Nice find, Carl.

In this article we’ll give you a look behind the scenes of OpenType substitution features — a general rather than comprehensive overview as the subject is simply too vast. We’ll start casually and work our way to more complex features and ideas. All examples that we will discuss should be considered starting points, just to pique your interest. Read on and find out that it’s really not difficult!